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Keyboard fingerings from Chicago....

10/5/2011

0 Comments

 
Paul:

Hi Lileigh, 
enjoying your Genesis analysis series very much. 
Being a huge Genesis fan since I was 12 (1977) I gravitate toward anything that concerns them (what a curse! Haha) 
I play keyboards and know quite a bit of their songs--love it!! 
Having done some sound engineering (mostly live)I am also captivated by your analysis series. Keep em comin!!! 
Thanks Lileigh!


Lil : 
Hi, Paul...  LOLOL !  What a curse, indeed !  (peels of empathetic laughter). 
Glad to know that you've found a way to positively channel all that still-flowing Genesis Karma.  ;-)
With such romantically-illuminating yet precision-minded fingerings such as Tony had going on with his BankSynths..you have chosen quite an exacting path to carve, via your keyboards (giving his arrangements a whirl)!
My blonde hair would certainly stand straight on end if I was faced with trying to re-capitulate his intro to Firth of Fifth or the bridge in Mad Man Moon...  *reverential nod of head, in Tony's direction*
Since you've done some live mixing (always a challenge to mix, on the fly...taking in all the varying acoustics of a room, replete with bodies of those roaming in & out of a concert)...I so appreciate your kind compliments concerning my Analysis series.
I am doing my best to keeping up with the one new video debut, a month...just to let the newest one "seep into" the YouTube early-Genesis fan environment.
Putting up this website was a really happy moment...knowing that ALL of my Analysis vids (within their own categories) finally had a Home, unto themselves.. Though, it too is a work in progress.
Glad everyone who enjoys my unusual works can view any series, in the proper order - rather than trying to follow the truly illogical workings of YouTube (and its ranking of vids based on the amount of hits each has received).  
*scratching of head, totally perplexed*
But, so grateful that several of you guys have made the transition enough to send me some nice comments - here on my personal (and personally-hosted) blog.
That way, we are not hemmed in by the limited YT message boxes, number of words or prohibition of publishing outside links... *sigh of relief* 
As you can already tell, my god-given verbosity knows NO bounds...except the "answer box" built into any YouTube reply option!  (more peels of honest, embarrassed laughter).
All my best...and, KEEP ON PROG-ROCKIN' on those Keyboards of Yours !!!  *big grin*
xoxo Lil


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Analysis: Chamber of 32 Doors - Part 1
YouTube: http://youtu.be/wUYoeUeg-r8


Analysis:  Chamber of 32 Doors - Part 2
YouTube:  http://youtu.be/eJfgDEE8BQI



Analysis:  Chamber of 32 Doors -Part 3
YouTube:  http://youtu.be/piueJ_0N-Kk


Analysis: Tom Lord-Alge & the Chamber of 32 Doors  (alternate version of Part 1/Tom's intro)
YouTube:    http://youtu.be/CMOmxytrP5s


http://www.lileighwhite.com/ 
*FOR SERIOUS LAMB FANATICS ONLY !!!* 

A
n Analysis of the many allegorical layers, written by Peter Gabriel, within the pivotal song "The Chamber of 32 Doors" on the original Lamb Lies Down on Broadway album.

Jungian Archetype Theory, The Power of Myth's Hero's Journey and the Tibetan Book of the Dead provide the framework with which Gabriel wrote of his pending decision to leave Genesis.
Add onto that the visual work of "El Topo" director Alejandro Jodorowsky, as Peter's inspiration - and you have one, very serious surrealistic work of art.

WARNING/ADVISORY:   This trilogy of videos are DEEP (because these metaphysical/psychoanalytical works were what Peter Gabriel had been reading up until the uber-rushed writing of The Lamb)!
Although, he claims the lyrics are flawed - many still consider it a layered work of genius.
Part Surrealism, Part Metaphysical, Part Self Psychoanalytical. 

These videos are the result of 2 years of intense research and many contributions by many people (several, quite close to Peter Gabriel & Genesis).

As Tony Robinson wrote for the 1970-1975 Genesis Box Set: "It's a mistake to think of the narrative as only having one meaning because every listener must create their own personal story."
This trilogy's analysis is not set in concrete.  It is meant to elucidate upon the metaphysical texts by which Peter was reaching to obtain his own new pathway (out of the band and into his own solo career, away from "Genesis-the-Big")....as well as start new discussions as to what the album meant to YOU, the listener.
From all of us who collaborated on these videos....ENJOY!!
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Analysis series for the dedicated Genesis fan